an interdisciplinary
anti-colonial research project


Ourchives attempts to substantiate urgent debates on the provenance and afterlife of cultural objects from formerly colonised spaces in Scotland and beyond. We approach museum space and archives through the scope of positioned history and memory as opposed to a rational and scientific one, to deconstruct how dominant ideologies of nation-building, capital accumulation and cultural exceptionalism leave their mark on archival/ curatorial practices.

Our key collective concerns are politicising the archival and museum institution; interrogating archive, museum and institutional history; capacitating oppressed groups to reclaim space in archives, galleries, museums, towards self-determination; alternative forms of archiving, beyond imperial taxonomies and epistemologies of preservation; and exploring pre-colonial archives and archival practices.


Tanatsei Gambura, Aayushi Gupta, and Jeanne Coppens are organisers who centre their work on the decolonisation of cultural institutions in their respective countries; Zimbabwe, India and Belgium.

Tanatsei is a poet, intermedia artist and cultural practitioner; her work seeks a community-based approach to anti-colonial resistance through creative expression and cultural practice. As a founder of the arts project, The 25 May Movement, she has collaborated with organisations including Zimbabwe’s National Gallery, the Goethe Institute and Enthuse Afrika to develop a program that increases the accessibility of arts to the general public in Harare.

Aayushi is a practising artist with a particular interest in critical writing on photography. Both her works and research are primarily interdisciplinary between photography, literature and philosophy. Her key concerns are understanding the evolution of various forms that media-based technologies have led to since their introduction to society; and further speculating what the future of photography will be, now that the digital image and Web 2.0 are overpowering various photographic practices.

Jeanne studies politics and anthropology at Edinburgh University. She has organised and written about the restitution of looted cultural objects in European institutions. Her work questions the tensions between colonial amassment and cultural erasure.

Coming from ranging contexts, Tanatsei, Aayushi and Jeanne's Edinburgh-based project is founded on a nuanced and contrastive view of the psychological, political and cultural dimensions of the post-colony.

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